But the very fact that Chase devotes so much time to what seems like nothing makes the whole scene all the more nerve-racking. Making things even more complicated, Tony was sometimes in love and sometimes sick of his therapist. For seven years, the two danced around each other in Melfi's oval office, as the therapist was often entranced and sometimes repulsed by her gangster client. That's not a bad entry into adult life at all. “He called me and apologized. I hate that when you ask, “What happened at the end of The Sopranos?” and people just shrug and say, “Well, he died!” A better question is, “What did that ending mean?”. Chase lingers on the parking job to raise the question of what terrible thing will happen because it’s taking her so long. 1. Phil Leotardo is no fan of Tony Soprano, but the head of the Lupertazzi crime family spends most of the series finale in hiding, making calls to his underboss, Butch DeConcini (Greg Antonacci), through payphones at Long Island gas stations. She's finishing up law school, and she's engaged to Patsy Parisi's son, Patrick (Daniel Sauli). In the scene, Tony Soprano is … Which is perhaps something he telegraphed by bringing that cat into it. Patsy starts shooting back and manages to escape, but Silvio is hit several times, and his wounds land him in an intensive care unit. I know this is a minority reaction, but I like being baffled or challenged or frustrated by art. We can all go home now. Still, you … Alan: I don’t know the answer to that hypothetical, because either one seems like the kind of thing The Sopranos might do. It’s also easy to see that Chase is of two minds on the last scene. Chase himself has commented that the entire last episode has paled to the final moments of the show... Meta Middle Finger. Log in or link your magazine subscription, Don’t stop believin’ … you know exactly what happened at the end of, This site is protected by reCAPTCHA and the Google, when Chase wrote that article about the scene, a journalist reported that Chase told her Tony lived, Grammy Winner Blue Ivy Carter Shows Off Her New Gold Sippy Cup, How Does the Snyder Cut Differ From Joss Whedon’s, A Timeline of the David Dobrik Allegations and Controversies, Rachael Kirkconnell Admonishes Her Fans for ‘Racist Insults’ Against Matt James, Matt James Doesn’t Want Us to ‘Cancel’ Chris Harrison, Saweetie Says She’s Single After Unfollowing Quavo on Instagram. (For that matter, Members Only Guy could be the loved one of a Soprano victim himself.) It’s giving “Jam (Turn It Up)” and we’re not mad at it. Does he sweat and strain rebuilding the Family after the damage Phil inflicted upon it? And that's especially true if his dear old dad actually bites the bullet in the last few seconds of the series. At least he has a girlfriend now, and their relationship seems to be the only thing he really cares about, especially after his car blows up during a makeout mishap. This job offer, plus Tony's tendency to rely on him above all other family members during the final stages of the Lupertazzi war, places Paulie in a position to be the second most powerful man in the family. "He's sown a life of murder, mayhem and treachery. Alan: Right. So when he walks into the restaurant, judgment has already been passed, or maybe suspended. Because, while you’re right to point out how Chase and company have very deliberately put us in a death-obsessed frame of mind during this final run, during the preceding seasons he showed us time and time again that he was never interested in doing the obvious thing. Spending long hours trying to prove Tony was shot at the diner becomes a substitute for meaningful engagement with the show’s themes, which are disturbing not just because of their implications, but because Chase and the writers present them in an open-ended, mysterious, or deliberately opaque way, like a brutal reminder to us that we can’t absolutely know certain things, and it’s delusional to insist we can. Alan: Other than maybe the revelation that Big Pussy was an FBI cooperator — a plot idea conceived in the show’s embryonic stages, without Chase expecting anyone would care about him resolving it — The Sopranos tended to keep its plot cards face up. Tony's alive, but he's never safe. One of the most debated and controversial scenes in Sopranos history — nay, TV history — starts when Tony and his family meet up for dinner. Excerpt from The Sopranos Sessions by Matt Zoller Seitz and Alan Sepinwall published by Abrams Press; © 2019 Matt Zoller Seitz and Alan Sepinwall. Matt: An important distinction. I just mean that Schrödinger’s cat is useful if you’re applying it to a story that could end either in a radical, art-house movie way, or in a traditional way, but with a fancy wrapping. In both of those, Chase employs an unusual editing style, cutting directly from a shot of Tony looking out at the space he’s just entered to a different point of view where he’s already crossed most of the distance to the relative he’s come to see. Fans got a little thrill in early 2019 when he referred to a "death scene" for Tony in an interview, but he later clarified that he was referring to an earlier idea that was discarded, and not the final scene that he ended up shooting. In the wake of the truce between families, he gets A.J. Maybe the ending is moralistic, but not in the way that some of the people who need Tony to be dead might frame it. The Sopranos Ending Explained The boss is dead. I like having to make a case for a particular interpretation or just throw my hands up. That final scene is something he felt was correct, and that came out of his desire to subvert or amend the traditions of the gangster film, while perhaps coming to terms with the fact that he was unable to escape them. At this moment in “Made in America,” nobody that we know of wants Tony dead. Alan: Back in the day, I felt like death was an easier sentence for Tony to take, because so much of his life — thanks to genetics, mental health, and the monstrous business he has chosen — brings him so much misery. He doesn't want to tell his daughter the truth about his profession, but he knows that if she continues down this road, she's going to learn some very disturbing things about him, her future father-in-law Patsy Parisi, and a lot of other people she grew up around. And since it's not going to be a gas-guzzling SUV, A.J. In the season six episode "Soprano Home Movies," Bobby Baccalieri and Tony are chatting about the nature of death, when Bobby theorizes that death is simple, quick, and that "you probably don't even hear it when it happens.". More recently, I found myself swaying over to Team Tony Dies, not only because of the death imagery throughout the season — including the way so many episodes open, as this one does, with Tony waking up from a deep slumber — but because some of my initial, long-hardened impressions of the scene didn’t hold up under further scrutiny. Suchin Pak Reveals ‘Misogynistic, Violent, and Racist’ Incident at MTV, “I was young, afraid as usual to cause a fuss or be seen as difficult or too ‘sensitive,’ being the only female in the newsroom.”, Lana Del Rey Romanticizes Roller-Skating in ‘White Dress’ Music Video, Marc Maron Reacting to Rachel Bloom’s Pregnancy News Is Very Marc Maron, Bloom and Danny Jolles reminisced about the surprise announcement on this week’s, Yes, Justin Bieber Put Two MLK Speeches on. The final scene of The Sopranos sees Tony's story suddenly cut to black, but not before Journey's "Don't Stop Believin'" plays out, a song choice with various meanings and possible interpretations in the context of the show's ending. Matt: Yeah, he’s checking out the scene in there for self-protection, but he does that everywhere he goes. I ask this not to spoil the details of the many pieces of Sopranos fanfic I have saved to the cloud, but to consider the larger question: Which ending is more interesting? But if Tony made it out of the finale alive, these charges are something he'll have to reckon with on the other side of the Lupertazzi war. Alan: Yes, the Holsten’s scene is about death — specifically, about the idea that we are all here on borrowed time, and our lives can be snatched away at any moment, without warning or explanation or the slightest hint of fairness. But in rewatching the series and writing this book, it’s clear that among Tony Soprano’s greatest gifts is his ability to live in the moment, shrug off the overall pain and paranoia of his life, and enjoy the many fruits that come with being the boss of New Jersey. She wants to defend groups who are unfairly prosecuted and oppressed by the federal government, and she specifically mentions the Italian-American community as part of her mission. Here’s hoping Chase’s goof doesn’t have spoiler implications for the “Sopranos” prequel, “The Many Saints of Newark,” which is slated to be released on March 12, 2021. He was never interested in the Russian, the rapist, the stable fire, or any of the other characters and threads that he left dangling over the life of the series, except as forces that test the main characters and reveal their essence. I think it would fit with the cycles of experience depicted in the series. A branding challenge finds the queens starring in commercials heavy on the “no jokes, just vibes” school of comedy. The fact that the Sopranos were in … Things get a little more interesting when Meadow reveals where she wants to take her law career in the future. Paulie, long the most useless captain on the payroll, is the only major ally he has left. That bell, to me, is a tolling bell, as in “Bring out your dead.” It rings every time somebody goes through that door. And, flipping that, what if he’d whispered, “Guys, Tony’s alive”? And since the scene is essentially from his perspective, we also don't get to hear the gun shot. Matt: I think it’s more interesting if he lives. Whether he tries to head her off or not is anybody's guess, but Meadow's chosen career could mean serious tension for the Sopranos down the line. Even in the series finale of The Sopranos, A.J. The gangster first learns he might be in trouble when it's revealed that Carlo Gervasi (Arthur J. Nascarella), one of his captains, likely started flipping on the family after his son was arrested on a drug charge. We had a really good conversation.”. One of the most important relationships in The Sopranos, if not the most important relationship, is between mob boss Tony Soprano (James Gandolfini) and his therapist, Dr. Jennifer Melfi (played by Lorraine Bracco). How do we choose to live it? Because it would’ve meant that he did the most obvious thing and then tried to hide it by making it seem as if he was creating an ambiguous or art-house type of ending. To continue to search for this answer is fruitless. To paraphrase one of the Four Questions from the Passover seder, on all other nights we don’t watch Meadow attempt to parallel park even once; why on this night do we watch her attempt to parallel park over and over again? The final scene of The Sopranos raises a spiritual question that has no right or wrong answer.” I think the most important two words in those two sentences are “spiritual question.” And if we fixate on anything other than that, we’re missing the point. Personally, he’s on good enough terms with his immediate family that they’d all happily join him for onion rings and more at their favorite ice cream place. He is either an enormous success or a pitiful failure. It was an ending that both earned The Sopranos creator David Chase high praise for pulling off a masterstroke, as well as a lifetime of fending off criticism over its ambiguity, as well as inspiring decades of fan theories trying to decode what really happened to Tony Soprano. The way the ending teases audiences by seeming very definite while denying us answers and closure makes it the ultimate Sopranos moment. Silvio and Patsy Parisi (Dan Grimaldi) are driving away from the Bada Bing when two men open fire.
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