watchmen director's cut vs theatrical

Zack Snyder's Justice League, often referred to as the "Snyder Cut", is the 2021 director's cut of the 2017 American superhero film Justice League. I’m also fairly certain only Snyder would film a homeless man with a cardboard sign saying “I tried” in a superhero movie (the destitute figure may still appear in the Snyder Cut in an overhead shot when Cyborg is later surveying the bleakness of the world). By Gil Kellerman Published Jul 24, 2009. At the very least, Clark returns to the Kryptonian ship to find there was a black Superman suit hidden all along in the corner. For what it’s worth though, he tries to kill Batman too. We also knew that the ending of the movie was different, but that it “worked.” That and the costume changes were supposedly all we were going to lose. Whatever occurred behind the scenes between Whedon, the producers, and Fisher, the actor had reason to be frustrated simply because his character arc was removed. There are no civilians (or randomly shoehorned in Russian family) to save. However, there’s so much more added on by Snyder. In an early scene of her and Bruce discussing their prospective teammates in front of a computer—with an awkward stab at humor where she coaxes out of Bruce that Arthur said no—there’s a moment where their hands trip over the mouse at the same time, like they’re in a teenage rom-com. And when debris nearly falls on them, he creates a shield by running so fast he looks like lightning in the sky blocking the falling rubble. The team otherwise staying on the same page, even after the Superman fiasco (more on that below), is a stark difference with the Whedon Cut. Continuing on the divergent paths between the Whedon and Snyder Cuts, the epilogue of the latter (complete with a title card) essentially presents the road not taken in the DCEU. Score: 7 out of 10 Video and Presentation Watchmen comes to Blu-ray in its original theatrical 2.40:1 widescreen ratio on a … Steppenwolf eventually attacks, leading to one of the best moments in the Snyder Cut. That’s just not necessary. Instead, he designates location, summoning her. In the movie, he simply leaves after an upsetting TV interview in which he learns he “gave people cancer.” In the book, he freaks out on live TV and the media harasses him so much that he decides to leave the Earth. Previously, we saw her use superpowers to suck water out of air pockets; now she uses it to suck the blood out of Steppenwolf’s face. The driver, in a rather crude cliché, is a simpleton reaching for his food on the cab’s floor when he slams into Iris’ convertible. On the tape, Silas tells his son that the fate of the entire world is now “in your hands, Vic.”. In pained slow-motion, we again experience the moment of Doomsday’s spike piercing Superman’s heart and see how his scream reverberates throughout the world. It’s… weird. Her first scene is much the same as in the Whedon Cut, although it’s another film school-ready example for what a difference post-production makes. Hence the awkward smartphone video of Superman talking to some children with a big smile on his face (and mustache unconvincingly erased from it). Surpassed: The Lord Of The Rings TrilogyThe Lord of the Rings trilogy is one of the most successful … Additionally, he hears both of his dads’ voices, Jor-El (Russell Crowe) and Pa Kent (Kevin Costner). Could this have once been the plot thread of Wonder Woman 2? The Snyder Cut is more directly linked to the previous movie with Jesse Eisenberg’s Lex Luthor, complete with hair, hearing Superman’s cries from deep in the bowels of the Kryptonian ship. Hence he can be both menacing and pathetic when he first attacks the Amazons and remarks of them, with a hint of resigned boredom, “Defenders? I’ve enjoyed the Ultimate Cut on my own. Now, unless I have some kind of surplus of money, I’ll pass. He also accepts that, for whatever reason, they cannot reach Earth through the Boom Tubes due to this defeat. One of my favorite things about the book is the high amounts of metaphors, such as the scene with Dr. Manhattan being interviewed on TV and Laurie and Dan getting into a street fight at the same time. Same with the reveal at the end of all that Ozymandias has done. It begins by basking in what isn’t sad between Victor and his father Dr. Silas Stone (Joe Morton). It is of no question in my mind that I will be purchasing this DVD as long as it includes the Black Freighter and I can have a 4-5 hour epic to watch. The Blu-ray release included both the theatrical and director’s cut of the Frank Oz screen adaptation of the Off-Broadway show. This is clearly an important spark for events to come… at least, in the book it is. But these moments are few and far between. Patrick Wilson was also a great casting choice. There is then A. But right down to how they’re introduced, these are subtly diverging interpretations of the character. Once inside Steppenwolf’s evil lair, things are also far more exciting. The Flash even asks, “Is everyone thinking it or am I going to have to say it?” The camera pans around the table and lands on Bruce, who is watching Cyborg’s projected image of Superman’s cape. After his body is exhumed and wrapped up, Barry says, “He was my hero.”, Of the main five heroes in Justice League, Cyborg turned out to be the most important by far. Before this moment, Lois made the decision in bed that morning for this to be the last time she’d visit and grieve Superman’s death at the memorial. But Amber Heard’s Mera speaking her lines in a purely Posh London accent after a whole movie of her using an American one in Aquaman is a real trip. “We will do things the old way,” Darkseid hisses. If that’s all you wanted to know, then there you go. Reception to the director’s cut vs the theatrical release is proof of what audiences are looking for. Soon Ma Kent joins them and it’s a lovely moment of reconciliation with the women in his life. I mean, that should be a given. But all of that is just background for…, Steppenwolf is one of the most dramatically improved characters in Zack Snyder’s Justice League. I can’t say this scene adds a lot to this movie, any more than the final, final tease of Harry Lennix’s Martian Manhunter showing up one more random time to give Bruce Wayne a pat on the shoulder. Similarly, Snyder achieves another grace moment when Lois sees Superman flying in the sky right after his resurrection. Director's Cut will do you well. One of the best moments of the book is at the end where Ozymandias watches his wall of televisions and screams “I DID IT!”, and an even better part of the ending is when Ozy has a talk with Dr. Manhattan where he asks if he did the right thing. As with the Whedon Cut, Bruce’s death is prevented when Lois shows up, but now of her own volition, and she and Clark fly away to Smallville. We saw pictures of sets and characters, and for the most part all the cast was well received. While Wonder Woman’s scenes in the Snyder Cut largely remain the same, the Amazons are given subtle but fierce new texture in their few added moments. Certainly sweeter than the abysmal “no one stays good forever in this world” line of dialogue from BvS. So what, do we have to wait until December when the Black Freighter is in the film to see those scenes? Below she discovers a spooky room filled with spooky murals containing even spookier images of Mother Boxes and war… and a godlike monster DC fans will recognize as Darkseid. Thanks to the alien technology of the Mother Box used to resurrect Cyborg, Victor has superpowers, which we see him fumblingly try out by flying on his father’s Gotham rooftop. The whole thing plays like a more wistful, alternative rock version to one of Quicksilver’s big scenes in the X-Men movies. Free from meddling studio executives, these movies are a lot better than you remember. Superman then flies to the Batcave and meets Alfred, who tells him where to go… for the end of things. At all. Eventually, Cyborg gets his own flashback to a time when he was more man than machine. However, now we are given an additional 30 minutes of footage that didn’t really need to be put into the movie. It’s also far more emotionally effective than the version of Lois apologizing to Clark for “not being strong” after he died in the Whedon Cut. To me, however, this isn’t nitpicking, this is just taking Snyder up on his word of a faithful adaptation. While the theatrical version of Watchmen was overlong at 2 hours and 40 minutes, the “Director’s Cut” on Blu-ray is a mind and butt numbing 3 hours and 6 minutes. There is a method to his madness, and just having him cut up a guy takes away from that. It is Victor Stone who puts the pieces together for the nascent Justice League and gets the heroes to begin acting like a real team. One imagines Superman’s treatment by Snyder and screenwriter Chris Terrio in what we now call the Snyder Cut, and Batman v Superman before it, played a major role in Warners’ eventual lack of confidence in the filmmakers. The character of Ozymandias in the book and the movie are two very different entities. While certainly more bloodthirsty, there’s no denying there’s a satisfaction in Aquaman stabbing Steppenwolf, Superman punching him, and finally Wonder Woman beheading him. Afterward, the whole direction of the DCEU still pivots toward darkness in Snyder’s vision. This is the transition to the Superman flag in London. Rather than using romantic imagery, Snyder favors to-the-point storytelling between colleagues as Diana tells Bruce in his new Batplane that the Age of Heroes defeated Darkseid. Black-suited Superman then flies into the orbit, taking the same Christ pose he had in Man of Steel, visually suggesting the Lord is risen, hallelujah. It’s still technically the same ending: the five main members of the League show up in a nondescript Russian town to fight Parademons. It appears that Ezra Miller’s seemingly improvised humor was the element of least importance to Snyder, and the most useful thing Snyder filmed for Whedon’s purposes. We dive into the significant differences between Zack Snyder’s Justice League and the version Warner Bros. and Joss Whedon released into theaters. Bruce’s dialogue isn’t much better as he mumbles, “When I held Harley Quinn, and she was bleeding and dying, she begged me with her last breath that when I killed you—and make no mistake I will fucking kill you—that I do it slow.”. The discussions had about are pivotal to the story. It’s a nice moment for Affleck, who looks much more alert in this version than the Whedon Cut. To be honest, I wanted more scenes at the news stand. So she made her final trip to his memorial. So join us as we contrast all the major changes (and by and large improvements) made by Zack Snyder’s Justice League. One scene that stuck out particularly in my mind was when Manhattan was telling of his past, there is a scene where he kills some men about to shoot at him. This is visualized in a CGI mind palace created in Cybrog’s digital brain. A standard-definition version of the theatrical cut is being released by itself concurrently with the Director's Cut packages, but there is no viable high-definition option for those of us who want to compare one to the other, or … Triple that, and you’ll come close to watching Watchmen. For starters, we see his journey to his private jet where Alfred is waiting. Now, if you listen really carefully at night, you may still hear from whispers on the wind a faint voice saying, "X-Men Origins: Wolverine is not as bad as everyone says it issss. The Kryptonian ship keeps warning, pleading even, with Cyborg that there is “no turning back from this action” as he prepares to resurrect Superman. The most effective element is, again, Cyborg as he reconstructs his father’s broken audio recording and hears Silas’ love as a “father twice over.” It’s bittersweet Victor never got to verbally reconcile with his papa, but just saying, “You’re my father” might’ve been enough. However, there are major caveats. This was followed by the November 10, 2009, home video release of the 215-minute "Ultimate Cut". No. Snyder has removed Whedon’s unfunny addition of Barry drawing glasses on the eyes of someone in line while waiting to see his dad at prison, but the Miller/Billy Crudup scene remains the same but longer. There’s also the highly upped sex factor Snyder put to the movie, completely reversing the two sex scenes of the book. There Fisher gets to play Victor as whole, and without a red eye. It just doesn’t come across as well or as powerful. I would enjoy that, even with it’s differences. Victor’s high-end computer body now gives him the ability to control the world’s nuclear arsenals and the world’s economy. Batman says he isn’t just doing this based on Luthor. Warner released a 186-minute director's cut of the film, expanded from the 162-minute theatrical cut, on all formats on July 21, 2009. Do not by any means watch the Theatrical Cut. The sadism with which the terrorists want to kill their hostages is belabored, and Junkie XL uses a fearsome version of Zimmer’s Wonder Woman theme while introducing one of his own, which relies on a haunting choral harmony. The early Commissioner Gordon scenes are also the same, albeit now without composer Danny Elfman’s Batman theme from 1989. In the book this is a one panel ordeal. In the Whedon Cut, he was a generic “conquer the world” supervillain who was defeated thousands of years ago on Earth by an alliance of men, Amazonians, and Atlanteans. The discussions had about are pivotal to the story. But in the Whedon Cut, the scene is nimble and brightly colored with a tongue-in-cheek quality, right down to the way Elfman uses an orchestra to play Hans Zimmer’s previously electric “Wonder Woman” theme. If the point is missed, after several minutes of crooning, one woman walks up to caress the sweater Aquaman took off and sniff it, savoring his undoubtedly godlike musk. However, when we had heard about the Director’s Cut, we all assumed that there would be more than just that. It’s a shame, but it is so brazenly, defiantly Snyder’s vision—and so far removed from the Whedon Cut’s goofy ending on Superman and Flash having a happy go lucky race to the Pacific—that one can at least give this to to the director: He did it his way. Many of the elements we saw in the Whedon Cut remain, such as Bruce and Diana opening up Wayne Manor to become the headquarters for the Justice League by building a table “with room for more;” we also see Barry tell his incarcerated Dad he got a job at the Central City crime lab; and of course there’s Superman’s beloved shirt rip. So, since I don’t want to type up another long article about how much I didn’t like Watchmen, I’ve gone and found my old Watchmen article (that wasn’t posted on this site) and copy/pasted it here for your browsing. Hey, guess what Zack Snyder – that’s. Honestly, though? I wish I could say it was better than this grubby, grinning, awkward reshoot moment where he talks about giving the Batman a reach around. But that’s pittance compared to the far bigger stinger for the future. Yet the epilogue ultimately becomes a teaser for what Snyder’s original vision for a Justice League trilogy might’ve looked like. Director’s Cut has more of his vision than theatrical cut, while still working as a smooth movie experience. At least until the Ma Kent of this scene is pointlessly revealed to be Martian Manhunter. The movie opens with the Amazons tirelessly on guard when the Mother Box awakens. In India, the theatrical release (certificate #CFL/3/27/2009-MUM) was cut in spite of an A (18) rating. Yet how these elements are incorporated, and where they leave the DC Extended Universe, are like on different planes of existence. for Every Budget. Diana’s narration of what these images tell her is also different (more on that in the Darkseid section), with no lakeside chat with Bruce. The long of it is that all of the complaints that originally existed with the theatrical cut are still there. “I’ll take that as a yes,” he says of the engagement ring he planned to give her before his death, and which she keeps on her hand. The Snyder Cut restores Victor Stone/Cyborg’s importance from the opening credits onward. In the Snyder Cut, it’s part of the body of the story. The soundtrack plays Nick Cave and the Bad Seeds’ “Distant Sky,” and the scene bleeds a dignified sorrow as Lois unfurls her umbrella in the rain and walks up to Superman’s memorial to lay flowers. Beat. He asked me which film, if I could only see one, would I see? Kevin Smith, who many consider a nerd God, said that it was f****** astounding, as well as “Remember that feeling of watching Sin City on the big screen and being blown away by what a faithful translation of the source material it was, in terms of both content and visuals? Similarly, when Barry and Victor are digging up Clark Kent’s grave, Barry asks Victor if he thinks Wonder Woman would “be into younger guys.” Victor dismisses the thirstiness by saying, “Barry, she’s 5,000 years old. There are at least three fewer “yeahs” and “alrights!,” and there is no scene of him sitting on Wonder Woman’s Lasso of Truth, blurting out he’s scared and horny at the same time. Otherwise, by and large, the Flash’s scenes remain the same until near the end. Source. Raised on cinema classics that ranged from…, Ben Affleck Talks Working with Matt Damon Again in The Last Duel, Ben Affleck Returns as Batman for The Flash Movie, Celebrating The Sopranos Review: Three Part Doc Doesn't Stop Believin', Coming 2 America Review: Eddie Murphy's Zamunda Needs New Blood, How Wonder Woman 1984 Treats Its Villains Sets the Movie Apart, Zack Snyder’s Justice League: Why Wonder Woman and the Amazons Have a New Theme, From Man of Steel to Zack Snyder’s Justice League: A Complete DCEU Timeline, Why Zack Snyder’s Justice League is in a 4:3 Aspect Ratio, Zack Snyder’s Justice League: A History of Steppenwolf, Zack Snyder’s Justice League Ending Explained: The Sequels and DCEU We Never Saw, How Zack Snyder’s Justice League Leaves the Door Open to Restore the Snyder Verse, Men of Steel: 11 Actors Who Have Played Superman, Superman Reboot: Ta-Nehisi Coates Can Get Character Back to His Essence, Joker: 6 Actors Who Have Played the Clown Prince of Crime, The Dark Knight: Why Heath Ledger’s Joker is Still Scary Today, Jared Leto reprises his performance as the Joker, Zack Snyder's Justice League: DC Comics and DCEU Easter Eggs Guide, Injustice Beat Zack Snyder's Justice League to the Punch. Gal Gadot has spoken in the past about how she was unhappy with the Justice League reshoots. But that two-hour theatrical cut of Justice League, assembled by director Joss Whedon, really is a night and day different film. But what is perhaps most lacking from the Watchmen Blu-ray is not some particular point of view or piece of information, but the movie itself— that is, the theatrical cut. Whether you love or hate his style, there is no denying Zack Snyder is an original. Aye, there’s a real Lord of the Rings level of ambition to Diana’s flashback to the Age of Heroes. Bruce Wayne still breaks into Barry’s loft and tells Barry his superpower is that “I’m rich.”. The battle is much bigger and more reliant on slow-motion, including shots of Hippolyta flipping off walls and hesitating to bury the other Amazonians alive. 3. Does 'Watchmen (2009)' have the more versions than any other movies? I’ll forgive the opening scene of the movie being different from the book because it was actually quite well filmed, but there is a point where you begin to completely miss the point of the story and it’s underlying messages. Here are a few examples: 1. Afterward Lois goes nearly two hours before appearing again in the film, while Diane Lane’s Ma Kent (who is seen early in the picture leaving home) vanishes for well over that amount of time. He seeks Diana Prince’s counsel but ignores her when she says his powers are a gift—I did miss the line, “If these are gifts why am I always the one paying for them?” Still, as in the Whedon Cut, he shows up on GCPD’s rooftop to join the team.
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